The Composition program was created to give any high school music students with an interest in composition an opportunity to explore and develop new skills. There will be individual composition lessons, master classes, and notation.
Preparation: Participants will be asked to begin composing a piece for string quartet before the program begins (two violins, viola and cello). Your piece will be workshopped, completed and performed by a string quartet during ISYM. You do not need to finish before the first day, but you should at least have a starting point. And if you do have one piece already done, then you can probably write a second piece during the week.
- For students completing grades 8-12.
- Previous composition experience is required. At minimum you should be able to read treble and bass clef (knowledge of alto clef is helpful), and know a little about music theory (scales, triads and intervals).
Tuesday – Friday:
8:15 – 9:15 AM Composition Studio Class
9:30 – 10:30 AM Private Lessons/Individual Composing
10:45 – 11:45 AM Composition Seminar
1:15 – 2:15 PM Private Lessons/Individual Composing
2:30 – 3:30 PM Orchestration/Reading
3:45 – 4:45 PM Elective
Saturday: 2:00 PM Composition Concert
- Submit the ISYM Application Form
- Acceptance notifications are sent on a rolling basis.
- Additional accepted student information will be available after April 15, 2021.
- $850, resident (includes dorm housing and all meals
- $550, commuter (includes lunch only)
Carlos Carrillo, Coordinator
Born in San Juan, Puerto Rico, Composer Carlos R. Carrillo holds degrees from the Eastman School of Music (BM), Yale University (MM) and the University of Pennsylvania (PhD). His teachers have included Tania León, Joseph Schwantner, Christopher Rouse, Jacob Druckman, Martin Bresnick, Roberto Sierra, George Crumb, James Primosch, Jay Reise and Steve Mackey. Mr. Carrillo is the recipient of numerous awards including the Bearns Prize, the Charles Ives Scholarship from the American Academy of Arts and Letters, BMI and ASCAP awards. He has been commissioned by Music and the Anthology for the Da Capo Chamber Players, the New York Youth Symphony, Concert Artists Guild and the Pennsylvania Music Teachers Association. In 2004 he received a commission from the American Composers Orchestra, the second such work commissioned for ACO by the BMI Foundation, Inc./ Carlos Surinach Fund. Dr. Carrillo’s music has been performed at the American Composers Orchestra’s Sonido de las Americas Festival and the Casals Festival, and by Young Musician Foundation’s Debut Orchestra, Sequitur, Network for New Music, Prism Quartet, Puerto Rico Symphony Orchestra, New York Youth Symphony, and members of the New Jersey Symphony Orchestra. In 2002, his symphonic work Cantares was featured at the inaugural “Synergy: Composer and Conductor” program presented by the Los Angeles Philharmonic and American Symphony Orchestra League. In 1998 he received one of the first Aaron Copland Awards from the Copland Heritage Association and he was the 2001-2003 Van Lier Emerging Composer Fellow with the ACO. In the spring of 2005 Dr. Carrillo was invited to the inaugural John Duffy Composers Institute as part of the 9th Annual Virginia Arts Festival. In 2007 he received a fellowship from the Civitella Ranieri Foundation. From 2007 to 2009 Dr. Carrillo was musical director of the Wabash Valley Youth Symphony. He has taught composition at DePauw University, Reed College, and the Conservatory of Music in San Juan, Puerto Rico. In the Spring of 2013 Dr. Carrillo was appointed Assistant Professor of Composition-Theory at the University of Illinois at Urbana-Champaign.
Born in 1973 in Santurce, Puerto Rico to Cuban parents, composer Armando Bayolo began musical studies at the age of twelve. At sixteen he went on to study at the prestigious Interlochen Arts Academy in Interlochen, Michigan, where he first began the serious study of composition. He holds degrees from the Eastman School of Music (B.M. 1995), where his teachers were Samuel Adler, Joseph Schwantner and Christopher Rouse; Yale University (M.M. 1997), where he studied with Roberto Sierra, Jacob Druckman, Ingram Marshall and Martin Bresnick; and the University of Michigan (D.M.A. 2001) where he studied with Michael Daugherty, Bright Sheng and Evan Chambers. Mr. Bayolo has been hailed for his “suggestive aural imagination” (El Nuevo Día) in works that are “full of lush ideas and a kind of fierce grandeur, (unfolding) with subtle, driving power” (The Washington Post). His “music combines the audacity of popular music, the verve-filled rhythmic language of Latin America, and the pugnacity of postmodern classicism into a heady, formidable concoction” (Sequenza21), and “deserves to be heard many more times, and in many more places. It is new, it is fresh, and it gets its message across” (The Charlotte Observer) “with quite a high degree of poetic expressiveness” (Music-Web International).
Mr. Bayolo’s music has been commissioned and performed throughout the world by some of today’s most important musicians and ensembles. He is the recipient of important commissions and awards from the Aspen Music Festival, Fromm Music Foundation at Harvard University, the Music Department of the National Gallery of Art, the Arts Councils of the states of Iowa and North Carolina, the Cintas Foundation, the Minnesota Orchestra and American Composers Forum, the Consortium for a Strong Minority Presence, the all-Virginia Intercollegiate Band, and the Festival Interamericano de las Artes. Besides being active as a composer, Mr. Bayolo is an “adventurous, imaginative and fiercely committed (The Washington Post) advocate for contemporary music in American culture through his activities as Artistic Director and conductor of Great Noise Ensemble (since 2005), curator of the New Music at the Atlas series for the Atlas Performing Arts Center in Washington (from 2011-14), and as a writer for such publications as Sequenza21 and NewMusicBox. His cello concerto, Orfei Mors and the cantata, Kaddish:Passio:Rothko, were each nominated for the Pulitzer Prize in music. Recordings of his music can be heard on the Sono Luminus, Inova, New Focus and Great Noise labels and is published by his own imprint, Olibel Music and available through his web site, www.armandobayolo.com.